The Bit Opus #1
In some details my review reads quite negatively. However, this should not affect the conclusion. The player has some minor weaknesses, which should not deceive the overall summary. I just want to avoid that people will purchase the Opus #1 and afterwards complain to me about smaller issues.
Once the music is neatly stored, either on folders or perfectly tagged, you have a relatively pretty player that delivers clean power to headphones. It does not distort anything and does not create any superficial wow experience – in a positive way. In addition, the battery finally lasts really long and does not need to be charged twice over the weekend.
If you use streaming services or have become too accustomed to gapless playback, you might be better advised to buy an external DAC for your smartphone.
Noontec Zoro II HD
Finally, I have some mixed feelings about the Noontec Zoro II HD. I like the tuning of the driver a lot and the overall sound performance is quite good. But I feel like the Zoro II absolutely want to stand next to Beats to look better. There is a gap in build quality but that is to be expected at a 100% price difference. Overall, Noontec reminds me of Instagram girls that only upload selfies with their less attractive female friends. The range of competitors is far bigger and if you raise your budget just a little bit, you will have a much stronger pool of competitors.
Ironically the Zoro II HD perform better with sophisticated tracks in which a more hifi-orientated presentation makes sense. But those people that value this kind of sound usually not opt for glossy plastic headphones. I am very interested to see what Noontec can do if they actually try to create a new design and if they use better materials. I am putting this brand on my watch list and so should you!
Chord Hugo
Following my short paragraph on flaws, I have to stress that the Chord Hugo DAC and head-amp is an absolute killer device. But you already knew that because people have probably been telling you that for a while now. It’s the Swiss army knife among portable DACs and it has an incredible headphone output (well, three) as well. Build quality is superb, too. But most of all, the sound is very truthful to the source with an organic and realistic feel like I have rarely felt. The crossfeed network is implemented perfectly and overall Hugo is capable to put many home set-ups to shame while neatly fitting into most pockets. This is reference material!
Musical Fidelity MF-200
For one, I just really like how these look. It’s a humble and unique design with exquisite details and phenomenal finish. Headphones shouldn’t be about fashion, but it really doesn’t hurt if they look and feel great. Secondly, I appreciate that Musical Fidelity decided not to throw another warm and smooth headphone on the market. It’s hard to keep up already and fresh and energetic sound signatures have become rare. In my opinion, the MF200 excel with Classical and Jazz music in a silent environment. Resolution and separation absolutely justify the price tag. Though I do think the MF200’s lower treble can be a bit edgy and the bass lacks rumble with Pop and Rock.
There are too many smartphones to generalize, but the iPhone 6 proved to be a good source and match already. I am sure there will be many options for Android too; especially if you want to make use of the headset.
Sennheiser IE 800
I like the Sennheiser IE 800. I like *easy* earphones that you just put into your ears without a lot of fiddling around to quickly enjoy music. With a high-quality appearance and a beautiful carrying case, I’m all in! You hardly notice the earphones when worn and they play incredibly airy, not even challenged with detailed reproduction of the recorded sound. Elsewhere I wrote that music resembles toys, as the instruments shrink in your head. And yet the miniature cabinet produces an incredibly powerful bass that might distract but not overshadows the rest of the spectrum. At low volume, the deficiencies I encountered are negligible (although I also suspect personal misfortune regarding channel imbalance).
Ultimately, I can also understand the price for 699 €, although I think there is better value to be had.
InEar StageDiver 2 & 3
StageDiver 2:
The clean and easy performance from upper bass all the way to the high frequencies with great extension deliver the best sonic performances with Classical, Acoustic, Vocal and instrumental music I have heard recently below the high-end customs mark. As a downside, you will have to use an EQ to get some rumble but even then the driver proves to be capable. You do get some kickbass and the bass is fast enough to punch but it definitely takes a backseat.
Separation and soundstage are simply incredible and the large acrylic shell does feature top-of-the line high-end custom crossover technology. I was wary at first, but there is no denying this is an improvement over regular small universals.
Add amazing build quality and comfort and you have a new reference for on-stage monitoring. The price is very worth it, even from a hifi enthusiast’s perspective.
StageDiver 3:
The StageDiver 3 is a fun earphone. A very good one at that. No, actually, per design it is a precise tool for on-stage musicians that need the bass to come out clearly. The tonality is warm, but also smooth and easy to get into. This is a high level custom in a universal housing that knows how to impress by technicality.
It does not have the best timbre, but within this price range it features incredible soundstage and resolution.